Much of my spare time this week has been spent proof-reading (or “copy-editing,” as they say in The Biz) my book about the parables Jesus told. I am hoping for a March 1 publication deadline. Because I have updated to Word 2016 since my last big project, I am receiving more editing suggestions from Word. Some of them meet with my approval; in other cases I disagree with Word.
Word does not like the phrase “whether or not.” After further review, I agree with Word that “whether” is sufficient in most cases.
Word suggests a comma after introductory words or phrases such as “therefore,” “of course,” and “so.” Those pauses seem unnatural to me, so I am largely ignoring those suggestions. I find it helpful, though, that Word is underlining them for me; it helps me to see where I have used such phrases too frequently and should remove them or rephrase sentences to make them unnecessary.
As in previous editions, Word 2016 dislikes the passive voice and suggests shifting to an active voice. While this shift might be appropriate in most literature, it can be very inappropriate in theology. A redeemed sinner is entirely passive when it comes to salvation; a sinner’s actions contribute nothing to salvation before being saved, or while being saved, or after being saved. God does all the work to rescue sinners. Until Word produces an edition that is free from heretical tendencies, I plan to continue ignoring its suggestions about eliminating the passive voice.
I only recently became aware of the grammatical suggestion that strings of prepositional phrases be avoided. (The amusing wording of this rule is to ignore them except when one is being led “through the valley of the shadow of death.”) Word 2016 underlines cases where it thinks prepositions are too close together. Unfortunately, this tendency singles out entirely appropriate phrases including “in spite of.”
I used some Christmas gift money to buy a DVD of the movie 500 Days of Summer. I did so for two reasons: I enjoy Zooey Deschanel in Hitchhiker’s Guide to the Galaxy and thought I would like to see her star in a romantic comedy; and IMDB recommended 500 Days of Summer to people who liked Ruby Sparks. The movie is enjoyable as it covers a relationship between a young man and a young woman in a nonlinear fashion, more the way he might remember the episodes from a distance rather than experiencing them in order. As a narrator intones at the very beginning of the movie, it is “not a love story.” In fact, it is far more realistic than most love stories. Unfortunately, both 500 Days of Summer and Ruby Sparks seem incapable of depicting a romance without suggesting physical intimacy beginning very early in the relationship. I’d like to see a romantic comedy in which the main characters do not go beyond holding hands and an occasional brief kiss. Maybe Hollywood writers believe that such romances no longer happen in the twenty-first century. (If so, they’re wrong.) Maybe Hollywood writers are engaged in a deliberate conspiracy to undermine marriage and family. (It seems that way sometimes, but I suspect their motivations are more financial than centered on social engineering.) I hesitate to recommend any movie that I would be reluctant to show to my parents or my children, but I confess to enjoying 500 Days of Summer and expect to watch it again soon, to catch the details I missed at the first viewing.
This morning while I was driving to work, I saw a delivery truck (painted with the 7-UP logo) in the left lane of the street, signaling an attempt to merge into the right lane. Traffic was tight and other drivers were ignoring the truck driver’s signal, but I held back and made a space for the truck to change lanes. As a result, I missed out on a green light and had to wait through the entire cycle of lights at a busy intersection. Later, I left room for a car to enter the street from a side street. It seems as though such courtesies toward other drivers ought to be rewarded with an extra green light or two, but I guess things like that happen only in the karmic pages.